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Vox Feminina

Silentium por melodias formans.

Voz das Mulheres (VOW)

Moldando o silêncio através de melodias.

Missão e Visão

Vox Feminina

                                           

Declaração de missão:

A Vox Feminarum está comprometida em criar uma plataforma global que eleve o trabalho de compositoras, oferecendo a elas o reconhecimento que merecem na música clássica. Nosso objetivo é promover oportunidades para compositoras estabelecidas e emergentes, construindo pontes entre diferentes tradições musicais e culturas. Nossa missão é promover a igualdade na indústria por meio da curadoria de performances, competições e projetos colaborativos que conectem essas artistas inovadoras com novos públicos. Por meio do nosso trabalho, aspiramos inspirar a próxima geração de compositoras, ao mesmo tempo em que oferecemos oportunidades significativas para que as mulheres moldem o futuro da música clássica.

Declaração de Visão:

Na Vox Feminarum, imaginamos um mundo onde as contribuições de compositoras não sejam apenas reconhecidas, mas igualmente celebradas no cenário global. Para ajudar a atingir isso, sediaremos três eventos anuais principais: a Cerimônia de Premiação de Mulheres na Música Clássica, que acontece entre Nova York, Viena e Paris, para homenagear compositoras que fizeram contribuições excepcionais; uma Competição de Compositoras Emergentes, realizada nessas mesmas cidades, para identificar e promover a próxima geração de talentos femininos; e um elegante Baile de Máscaras na Cidade de Nova York, uma celebração da arte e da música que lembra a grandeza do Baile de Viena, projetado para reunir patronos e músicos em apoio ao impacto das mulheres na música clássica. Esses eventos são uma prova do incrível talento e dedicação das mulheres na indústria musical, e convidamos você a se juntar a nós para celebrar suas conquistas.

Embora sejamos uma organização nova, nossa visão é ousada e inabalável. A Vox Feminarum se dedica a remodelar o cenário da música clássica, destacando as vozes de compositoras e promovendo um ambiente onde sua arte e perspectivas únicas possam prosperar e ser celebradas globalmente.

Listen to our composers.

Helen Grime: Violin Concerto (2015/16)
22:41

Helen Grime: Violin Concerto (2015/16)

Helen Grime (*1981) Violin Concerto (2015/16) 00:00 I. 10:20 II. 18:13 III. Malin Broman, violin Sveriges Radios Symfoniorkester Daniel Harding, conductor World Première, 15 December 2016, Berwaldhallen My Violin Concerto came about after several collaborations with Malin Broman and many years of gestation. We first worked together with Malin’s piano trio (Kungsbacka Trio) but I also had chance to work with the orchestra, conducted by Daniel Harding with Malin leading, in 2010. I was immediately struck by the ferocity, power and passion in her playing. At turns she is able to play with a sort of wild abandon but also with great tenderness, sensitivity and with many different colours. I knew when we started talking about the piece some years back, that I wanted to highlight and showcase these striking, opposing qualities. Violent, virtuosic music covering the whole range of the violin is contrasted with more delicate and reflective filigree material that features oscillating natural harmonic passages and searching melodies. Towards the beginning of the writing process, I sent Malin various fragments of material and many of these are used in the concerto. These initial sketches actually became the basis for the piece’s central section and everything else sprung from this. In one continuous movement, the piece falls into three main sections but features extensive dreamlike interlinking passages that connect them. Photo by Arne Hyckenberg Full Score https://cutt.ly/HG_violin-concerto Official Composer Website http://helengrime.com/ This video has a purpose of promotion, not for profit. If you have any complaints about copyright issues, please write me a direct message at dhdmlwls02(at)gmail(dot)com before submitting a report to YouTube. Then I will delete the video as soon as possible.
Sarah Kirkland Snider - Gloria (Official Video)
06:13

Sarah Kirkland Snider - Gloria (Official Video)

Sarah Kirkland Snider's "Gloria," performed by Gallicantus and Gabriel Crouch, from the album 'Mass for the Endangered,' out now on New Amsterdam/Nonesuch Records: https://sarahkirklandsnider.lnk.to/MassForTheEndangered Visual created by Deborah Johnson / CandyStations You can watch an interactive version, made with Louise Lessél, at https://sarahkirklandsnider.github.io/Gloria/ Composer Sarah Kirkland Snider’s Mass for the Endangered, with a libretto by poet/writer Nathaniel Bellows, is a celebration of, and an elegy for, the natural world—animals, plants, insects, the planet itself—an appeal for greater awareness, urgency, and action. Originally commissioned by Trinity Church Wall Street, this recording features the English vocal ensemble Gallicantus conducted by Gabriel Crouch. #massfortheendangered #gloria
Shere Veth-le-em (Coptic), World Premiere, by Laura Jobin-Acosta
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Shere Veth-le-em (Coptic), World Premiere, by Laura Jobin-Acosta

Translation (sung in Coptic) Hail to Bethlehem, the city of the prophets, where Christ was born, the second Adam. Blessed are You indeed, with Your good Father and the Holy Spirit, for You were born and saved us. Have mercy upon us. Commissioned by Kamel Boutros, Music Director of Calvary-St. George Episcopal Church, NYC. Candlelight Concert, 2022. www.LauraJobinAcosta.com www.calvarystgeorges.org Performers: Laura Jobin-Acosta, Composer/Soprano Shaina Martinez-Azzopardi, Soprano Melisa Bonetti, Mezzo-Soprano Aidan Schultz-Meyer, Tenor Angky Budiardjono, Baritone Corey Gaudreau, Baritone Ben Larsen, Cello Kamel Boutros, Music Director Tech Team: Jacob Wilson, Video Chris Williams, Sound Josiah Cavanaugh, Projections Ibo Halil Tur, Assistant Marcin Wilk, Assistant #composer #opera #choir #music #original #soprano #nyc #christmas #church #episcopal #copticorthodox #copticchurch #choralsinging
Sous le ciel de Nanterre (May 17)
05:36

Sous le ciel de Nanterre (May 17)

Sous le ciel de Nanterre Composed & Text by Kervy Delcy Hans Tashjian - Bass-baritone Emma Luyendijk - Music Director Performed on May 17, 2024 at the South Oxford Space Great Room, Brooklyn, NY. Created in the 2023-2025 cycle of American Opera Projects' Composers & the Voice Fellowship training program. C&V Artistic Director: Steven Osgood Head of Music: Mila Henry Head of Drama: Matt Gray http://aopopera.org/composers-voice Composers & the Voice is made possible in part by a generous multi-year award from The Andrew W. Mellon Foundation and a Grants for Arts Projects award from the National Endowment for the Arts. Past AOP Composers & the Voice fellows have received grants and honors from the following organizations: Aaron Copland Fund for Music, ASCAP, BMI, the American Academy of Arts and Letters, the American Music Center, the American Composers Forum, OPERA America, the National Endowment for the Arts, Meet the Composer, the Argosy Foundation Contemporary Music Fund, the Fulbright Foundation, the Atlantic Center for the Arts, the Douglas Moore Fellowship, Tapestry New Opera Works, the Frederick Loewe Foundation, New Dramatists, and the Martha Baird Rockefeller Foundation. AOP’s programs are made possible in part by the Howard Gilman Foundation, The Aaron Copland Fund for Music, Inc., The Andrew W. Mellon Foundation, the Amphion Foundation, BMI, and the contributions of many individuals.

Carnegie Hall Concert, on December 15th, 2024

National Opera Center Concert on October 11th, 2024

Desert in Dark
Lili Tewes.
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